Works Cited

• Label Writing
  • American Alliance for Museums. “Excellence in Exhibition Label Writing Competition 2019.”
  • Cole, Teju. “Dispatches from a Ruined Paradise.” The New York Times,October 25, 2018.
  • ———. “In Dark Times, I Sought Out the Turmoil of Caravaggio’s Paintings.” The New York Times,September 23, 2020.
  • Faherty, Anna. “What Makes a Great Museum Label?” Museumnext (September 2, 2020).
  • The J. Paul Getty Museum. Complete Guide to Adult Audience Interpretive Materials: Gallery Texts and Graphics: J. Paul Getty Trust, 2011.

• Whitney Biennial Information
  • Whitney Biennial Highlights March 19th 2017. Directed by Billy Tracker Vids. March 20, 2017.
  • McIntosh, Aaron. “2017 Whitney Biennial Exhibition Review.” Journal of Modern Craft 10, no. 3 (November 2017): 331-336.
  • Smith, Roberta. “Why the Whitney’s Humanist, Pro-Diversity Biennial is a Revelation.” The New York Times,March 16, 2017.
  • Swartz, Anne. “The Multifarious Feminism of the Whitney Biennial  .” Hyperallergic (May 12, 2017).
  • Whitney Museum of American Art. Whitney 2017 Biennial Kids Activity Guide, 2017.
  • ———. “Whitney Biennial 2017 Audio Guides.”

• Website Design
  • Rivenburgh, Kris. The ADA Checklist: Website Compliance Guidelines for 2021 in Plain English. November 7, 2018.

• Raúl de Nieves
  • Eckardt, Stephanie. “In the Studio with Raúl De Nieves, the would-be New Star of the Whitney Biennial.” W Magazine (April 3, 2017).
  • Forster, Ian. “Raúl De Nieves Proves American Identity is Complex and Colorful.” Art21. 
  • Russell, John. “In Studio with Raúl De Nieves: Whitney Biennial’s Nightlife-Inspired Standout.” Out Magazine (May 16, 2017).
  • Schwartzberg, Lauren. “A Trip into the Bead-Strewn Studio of a Whitney Biennial Artist.” New York Curbed (October 9, 2020).
  • Whitney Museum of American Art. “Raúl De Nieves.” https://whitney.org/collection/works/55913.

• Susan Cianciolo
  • Bobb, Brooke. “Here’s a First Look at the Staff Uniforms for Designer and Artist Susan Cianciolo’s Run Restaurant at the Whitney.” Vogue Magazine (April 18, 2017).
  • Cascone, Sarah. “Hungry for Art? One Artist just Opened a Restaurant at the Whitney Biennial.” Artnet News (April 18, 2017).
  • Eckardt, Stephanie. “A Review of Susan Cianciolo’s Restaurant at the Whitney Biennial.” W Magazine (April 19, 2017).
  • Pratt Institute. “Practice: From the Studio of Professor Susan Cianciolo.” Pratt. https://www.pratt.edu/news/view/practice-from-the-studio-of-professor-susan-cianciolo.
  • Romack, Coco. “An Artist Who Collaborates with Her 11-Year-Old Daughter.” The New York Times (Feb 6, 2020).
  • Vu, Mimi. “Susan Cianciolo Heads Up a Home-Goods Collective.” The New York Times,December 2, 2014.

• Rafa Esparza
  • Blackmore, Willy. “Mexican Artist Rafa Esparza’s Physical Representation of Immigrant Nostalgia.” Pacific Standard Magazine (October 16, 2017).
  • Guzmán, Alicia Inez. “Rafa Esparza.” Tierra Firme. http://tierrafirmeprojects.com/rafa-esparza.
  • ———. “Review- Figure/Ground: Beyond the White Field.” Southwest Contemporary (July 1, 2017).
  • Tewksbury, Drew. “Performance Artist Rafa Esparza is Fighting Invisibility, One Brick at a Time.”
  • Tranquada, Jim. “Wanlass Artist in Residence Rafa Esparza in Whitney Biennial.” Occidental College.
  • Whitney Museum of American Art. Whitney 2017 Biennial Kids Activity Guide, 2017. 

• Other Artists shown in Esparza’s gallery
  • Beatriz Cortez
  • Beatriz Cortez Cairn
  • Curate LA
  • Dorian Ulises López Macias
  • Dorian Ulises López Macias
  • Eamon Ore-Giron | Hammer Museum
  • Floating Gardens
  • Gala Porras-Kim 
  • The Georgia Review
  • Nao Bustamante
  • Ramiro Gomez
  • Smuggling the Sun by Eamon Ore-Giron

• Cauleen Smith
  • Cauleen Smith – 3Arts Artist Awards 2013. Directed by 3Arts – Chicago Artists. October 22, 2013.
  • Hubert, Craig. “A Moving Image Artist Finds Freedom After Abandoning the Film Industry.” Hyperallergic (March 24, 2017).
  • Interview with Cauleen Smith. Directed by Issac0109. December 10, 2010.
  • Mitter, Siddhartha. “Waking Life.” Artforum (May 2019).

• Jessi Reaves
  • “Art Term: Readymade.” Tate. https://www.tate.org.uk/art/art-terms/r/readymade.
  • “Ottoman with Parked Chairs.” Whitney Museum of American Art. https://whitney.org/collection/works/56176.
  • “Whitney Biennial 2017 Artist Jessi Reaves.” Whitney Museum of American Art. https://whitney.org/exhibitions/2017-biennial?section=47#exhibition-artworks.
  • “Whitney Biennial 2017 Audio Guides.” Whitney Museum of American Art. https://whitney.org/audio-guides/40?language=english&type=general&page=1&stop=35.
  • Barry, Eliza. “Jessi Reaves.” Bridget Donahue. https://www.bridgetdonahue.nyc/artists/reaves-jessi/works/.
  • Cusumano, Katherine. “Domestic Ills: Sculptor Jessi Reaves Elevates Furniture by Making it Weirder.” W Magazine (April 21, 2016).
  • Hegert, Natalie. “10 Artists to Discover at the 2017 Whitney Biennial.” MutualArt. https://www.mutualart.com/Article/10-Artists-to-Discover-at-the-2017-Whitn/3A65160C7093B4DE.
  • Hökklo, Jonathan. “Inside the Whitney Biennial: Four Artists to Watch.” The Line (April 8, 2017).
  • Ponesch, Reinhold. Biennial 2017 – Whitney Museum Manhattan June 2, 2017.
  • Wiley, Chris. “The Beguiling Work of Jessi Reaves.” Frieze (June 1, 2019).
  • Wobi Office Blog. “Seating at the 2017 Whitney Biennial.” Wobi Office. https://www.wobioffice.com/blogs/woblog/seating-at-the-2017-whitney-biennial.

• Matt Browning
  • Matt Browning, 2015 Neddy Artist Awards Awardee in Painting. Anonymous Vimeo: Cornish College of the Arts, 2016.
  • Gopnik, Blake. “At the Whitney, Matt Browning Whittles Up a More Honest Modernism.” Artnet News (March 24, 2017).
  • Jaeger, Emily. “Whitney Biennial Review: Part 2.” The Woven Table Press (June 28, 2017).
  • Vansynghel, Margo. “Matt Browning at the Whitney Biennial.” City Arts Magazine (March 13, 2017).
  • Whitney Museum of American Art. “Matt Browning, Overview.” Whitney Museum of American Art. https://whitney.org/media/1585.
  • Whitney Online. Matt Browning. Tumblr. April 19, 2017.

• Museum Studies Scholarship
  •  American Association of Museums, A Higher Standard: The Museum Accreditation Handbook (Washington, D.C: American Association of Museums, 1997).
  • Clifford, G. (1981). Lifelong learning. In K. Cirincione-Coles (ed.), The Future of Education: Policy y Issues and Challenges, pp. 127-35. Beverly Hills, CA: Sage. 
  • Crooke, E and Beier-de Haan, R. (2006). Museums and Community; Re-staging Histories and Identities. https://doi.org/10.1002/9780470996836.ch11
  • Falk, J.H., Dierking, L.D. and Adams, M. (2006). Living in a Learning Society. In A Companion to Museum Studies, S. Macdonald (Ed.). https://doi.org/10.1002/9780470996836.ch19
  • Garber, E. (2013). Craft as Activism. The Journal of Social Theory in Art Education (33) (K. Staikidis, Ed.). 53-66.
  • Gurian, E. (1999). What Is the Object of This Exercise? A Meandering Exploration of the Many Meanings of Objects in Museums. Daedalus, 128(3), 163-183. Retrieved January 10, 2021, from http://www.jstor.org/stable/20027571 
  • Hilton, W.J. (1981). Lifelong learning. In K. Cirincione-Coles (ed.), The Future of Education: Policy y Issues and Challenges, pp. 147-57. Beverly Hills, CA: Sage. 
  • Mason, R. (2006). Cultural Theory and Museum Studies. In A Companion to Museum Studies, S. Macdonald (Ed.). https://doi.org/10.1002/9780470996836.ch2
  • Raicovich, Laura. “What Happened when Fred Wilson Dug Beneath a Museum’s Floorboards.” Hyperallergic (August 16, 2019).
  • Weil, S. (1999). From Being about Something to Being for Somebody: The Ongoing Transformation of the American Museum. Daedalus, 128(3), 229-258. Retrieved January 10, 2021, from http://www.jstor.org/stable/20027573